Taken from the beautiful (and now year old believe it or not) Matthew Dear album Black City. Love the use of oil projectors in this. Here’s what the director had to say about the making of process.

“In the song’s build and layering of memories of her she, the environment shared, and the unknown becomes blended, fractured and infinitely heaped together.” It does look like thinking backwards feels—uncertain, romantic, bizarre. The lyrics drove the photography and the sound drove the texture and slices. For most of the edit and post-production work, I let the track dictate the visuals.”